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GET APPROVED FOR FISCAL SPONSORSHIP - NEXT DEADLINE 2
4 OCTOBER 2018
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Featured Film
Red Dust Dreams - the Documentary
Aged, Arts, Community, Education, Environment, Health & Wellbeing, History, Indigenous, Rural, Social Justice, Sport/Adventure, Welfare, Youth
There are several aims for our documentary, ‘Red Dust Dreams – the Documentary’. One of these is to try to help bridge the country-city divide that is still so evident throughout Australia; another is to have a look ‘behind the scenes’ - taking a look at the little-known about domestic side of life on some of our pastoral stations. We also want to showcase some of our spectacular scenery which is unique to our outback. To help preserve and record history both on the stations, between them and in some of the outback towns. Many of our pastoral stations have had to turn to tourism or other forms of business in order to be able to remain where they live. We are trying to feature these businesses and provide these people with extra exposure. As well as some of those in outback towns. We plan for the four parts of our documentary to include both well known tourist attractions throughout the outback as well as those that are not so well known - but should be. Highlighting things out there – trying to show tourists there is a lot that our outback has to offer as well as the lusher areas of our nation. Education is one of the aspects we are trying to involve through the book and documentary (we have permission to film a station class in action – including School of the Air/Distance Education), as well as from the base end (filming the teachers in action as well as a couple of interviews), the purpose being, again, to show how our remote education system actually works. Other aspects we are including are employment, entertainment, transport, distances travelled – for anything, holidays (what holidays?). Also infrastructure, mail, shopping, fuel, power, health (and the Royal Flying Doctor Service), communication, the advent of the internet and social media, the Indigenous aspect and more. We are also trying to coincide our travels with some of the outback’s events – one being the Big Red Bash at Birdsville. We do have permission to film interviews with some of the entertainers (some of Australia’s best vocalists) as well as the founder of the event and the owners of the station on which the event is held. Also the Marree Camel Races. Another essential part of our documentary – and the entire ‘Red Dust Dreams’ project is a ‘warning’ to anyone who plans to travel out there – do their homework. Research. Prepare, prepare, prepare. Explaining how unforgiving the outback can be, but just a bit of preparation and research can help to make it one of the best – and safest - holidays a person can have. We do have a Risk Management Plan in place. The first trip of our documentary has already taken place (self-funded) and we filmed an interview with an amazing character in Newman. This is something we plan to do throughout, with people who want to join in. Film some yarns, a bit of fun. We do plan to donate a percentage of whatever profits we might eventually make to several organisations relating to the outback.
Featured Film
Earth Cry - A Profile of Peter Sculthorpe
Arts, Education, Environment, History, Human Rights, Indigenous, Rural, Social Justice
The film explores the remarkable life of the greatest living Australian composer, Peter Sculthorpe. At 85 Sculthorpe is a true legend in Australia – not simply because of the extraordinary range of the music he has written, but because he has been centre stage in Australia’s cultural life for over sixty years. In fact, the story he tells through his music, and the story we will examine in the film, is the story of Australia since the Second World War – the shift politically from being European oriented and still part of the British Empire, to being focused now on the ‘empires’ to the north – of Japan and China, Asia, Bali, Indonesia and Malaysia.\n\nSculthorpe’s understanding of landscape and environment, frequently being laid to waste by unthinking societies, how global warming is causing havoc to Australia’s ecology, and his relentless campaigning against the desecration of indigenous culture by successive Australian governments, mark Sculthorpe out as being of crucial significance in understanding Australia as it is today. Sculthorpe though his music has provided eloquent testimony, both as witness and as a warning, about the world he inhabits. “Ritual mourning for the plight of the land,” was how one critic described one of Sculthorpe’s most significant works, Earth Cry, which is also the title of our film.\n\nThe backbone of the film will be an extended interview with Sculthorpe himself, not merely biographical but ranging over his social and political concerns about Australian society today, illustrated by substantial examples of his music specially performed for the film. Principal among these will be Kakadu, a large orchestral work describing the exotic wilderness that is Northern Australia. Also Momento Mori, inspired by a visit to Easter Island with its enormous, brooding, enigmatic stone heads, which themselves represent both the indomitable nature of the human spirit, while at the same time being part of its greatest folly. In the creating of them, the land was deforested and impoverished. The Piano Concerto, one of his major works, especially the long elegiac 2nd movement with its hints of Japan and Indonesia, is both brutal in its melancholy, and yet unforgettable in its opulent bleakness.\n\nThis 120 minute film will the first full length international portrait of Peter Sculthorpe, a powerful prophet for Australia - a land whose history and culture and environment remains as yet unknown to most non-Australians.
Featured Film
Stories of Gutharraguada Country (Shark Bay)
Aged, Arts, Community, Disability, Education, Environment, Health & Wellbeing, History, Human Rights, Indigenous, Rural, Social Justice
This is the story about Jimmy Poland, senior Malgana man of the Gascoyne region in Gutharraguada Shark Bay country, who has been carving pearl shell, emu eggs and more recently boab nuts for many years- a skill that was passed down from his father. His life stories told though his art is one of inspiration and dedication, not only to the preservation of the Malgana culture, but that it is possible to follow your desires and dreams at any age. \nThe documentary will follow on from a recent mentorship program with Perth based contemporary jewellery designer Helena Bogucki; culminating in a touring exhibition. The documentary will focus on Jimmy’s extraordinary stories of growing up in Shark Bay and his life as a fisherman and the surrounding country. These stories are pertinent to his artwork as his unique environment is to his inspiration.\nTwo WA film makers will coordinate the production through oral histories, community interviews and flash back re enactments; capturing the journey of Jimmy through his relationship with his family, the land, and the people of Shark Bay. Given Jimmy’s age (86 years), his family and the Aboriginal community of Shark Bay are very committed to the urgent documentation of his stories which are representative of the Indigenous history of Shark Bay, making Monkey Mia the popular tourist destination it is today. To date these stories remain unacknowledged.\nTo bring his stories of his youth to life, re enactment techniques will include Jimmy’s younger family members, friends and community members. It will also include mentoring 4 young people and community workshops in photography and film. Professional film makers, Bewley Shaylor and Michael Fletcher will create the narrative structure to the film and will undertake the final stage of editing and post-production. \nAs another way of developing a unified creative vision for the people of Shark Bay, the music score will incorporate the talents of local Indigenous musicians and friends such as Howard Cox with Jimmy Poland himself on the mouth organ. \nThe project has complete endorsement of his family and Yadgalah Aboriginal Corporation. To quote Jimmy’s nephew and local Indigenous Tourism Operator, Darren Capewell: “His art making and stories are a part of our Indigenous cultural history and traditions which in turn promote education, understanding and respect....they are a unique piece of the spirit country representing the landscape he grew up in- Gutharraguada (Shark Bay).”