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Spirits in the Stone
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Arts, Community, Disability, Education, Health & Wellbeing, History, Human Rights, Indigenous, Refugees, Social Justice, Welfare, Youth
“If you don't accept people can change ~ no one has an incentive to change..." Myuran Sukumaran (17 April 1981 – 29 April 2015) was an Australian who was convicted in Indonesia of drug trafficking as a member of the Bali Nine. In 2005, Sukumaran was arrested in a room at the Melasti Hotel in Kuta with three others. Police found 334 g (11.8 oz) of heroin in a suitcase in the room. According to court testimonies of convicted drug mules, Myuran Sukumaran and Andrew Chan were the co-ringleaders of the heroin-smuggling operation from Indonesia to Australia. After a criminal trial, Sukumaran was sentenced on 14 February 2006 by the Denpasar District Court to execution by firing squad. Australian death-row prisoner Myuran Sukumaran made a personal appeal for mercy to Joko Widodo, painting a portrait of the Indonesian president and signing it with the words 'People Can Change'. After lodging an appeal against his sentence, this was initially dismissed by the Bali High Court. A judicial review conducted by the Indonesian Supreme Court on 6 July 2011 affirmed the death sentence. Sukumaran’s plea for clemency was rejected by the President of Indonesia on 30 December 2014, and Sukumaran was expected to face execution, together with Chan. The execution was carried out on 29 April 2015. Myuran Sukumaran led an art studio for his fellow prisoners during his time in Kerobokan prison, where he was mentored. Myuran taught English, computer, graphic design and philosophy classes to prisoners. The portrait of Mr Joko Widodo signed 'People Can Change' is his most recent work. He painted the oil on canvas artwork in Kerobokan prison in late January 2015, in his final weeks there before being transferred to Nusakambangan Island. Myu painted multiple self-portraits while on Nusakambangan. His final painting resembles a bleeding Indonesian flag. He was recently awarded an associate degree in fine arts by Curtin University. Myuran Sukumaran had his first major Australian exhibition at the Campbelltown Arts Centre in January 2017, curated by noted Australian artist, Ben Quilty. ‘Alone from night to night you'll find me Too weak to break these chains that bind me I need no shackles to remind me I'm just a prisoner, don't let me be a prisoner From one command I stand and wait now From one who's master of my fate now I can't escape for it's too late now I'm just a prisoner, don't let me be a prisoner.’
The Coming Back Out Ball
Aged, Arts, Community, Disability, Environment, Health & Wellbeing, History, Human Rights, Indigenous, Social Justice, Welfare
THE COMING BACK OUT BALL is an observational feature documentary that follows LGBTI elders who have been invited to attend a Ball celebrating their gender and sexual identities. In the face of ageing and isolation, our LGBTI elders seize each day with humour and determination. With the advent of the Ball, these elders’ lives begin to change as they find hope, acceptance and love in their twilight years.Producers Adam Farrington-Williams, Sue Thomson, Roger Monk & Tristan MeechamExecutive Producers Michael McMahon, Shaun Miller, Tony NagleDirected by Sue ThomsonImage: LGBTI Elders Dance Club by All The Queens Men. (C) Photo by Bryony Jackson.
Rock & Roll Songline - The Life & Music of Carroll Karpany
Arts, History, Indigenous, Social Justice
Carroll Karpany’s traditional Narrindjerri culture was smashed by the British invasion in the 1840’s. His family was forced onto a Christian mission, and his language and culture were banned. In its place Carroll found rock’n’roll and formed Us Mob, Australia’s first black politics band. He played music around Australia and the world but his 'Narrindjerri song’, is gone and with it the secret knowledge that would connect him spiritually to his people and land. Then in 2013, while leading a documentary crew through the Western Australian bush, Carroll meets indigenous Elder, Dylan Andrews; and is offered what he once thought impossible. Their two Aboriginal nations, separated by half a continent; were once intimately linked by a highway of trade, marriage and law; a highway linked by the ‘oldest song on earth’, the Red Kangaroo Songline. The Narrindjerri part of this songline was not destroyed, but held in safe keeping, waiting for a Narrindjerri songman to come and sing it back to life.Carroll is conflicted; he is ecstatic but fearful of the huge responsibility. ‘Why me, why now? Do I have the skills to pass on this cultural treasure?’ Carroll has raised his sons to be proud of their Narrindjerri culture, and they now join him to reclaim part of their inheritance. In his black, 1972 Charger, Carroll and sons, Ji (26yo) and Rivva (22yo); power out of Adelaide; to cross three deserts and 20 Aboriginal language nations. Together the Karpany men share the 3000 km road trip, unpacking Carroll’s incredible life story as they drive. Their father’s story is their story too and a window to a whole generation of Aboriginal Australians. Carroll was born in a Narrindjerri birthing nest, raised on a mission, forcibly taken by the government and inspired by the Maori. He loved and lost his ‘great loves’ to suicide and illness. He has danced with addiction and depression and fought racism and hate to raise his boys in the light of acceptance and universal love. Carroll’s whole life has led him to this moment. Dylan and the Banuba lawmen lead the Karpany’s into sacred caves to learn the ancient songs & dances of the Red Kangaroo Songline. Back in South Australia expectant elders of the Narrindjerri nation gather, no one can quite believe it is true; this Homeric poem is about to be performed for the first time in 150 years. By firelight Ji and Rivva twist and stamp and teach young Aboriginal dancers the moves, songs and philosophy of the Red Kangaroo Songline. As their voices sing out together a ‘great Australian silence’ is broken the ‘oldest song on earth’.