This film is an intimate portrait of my father, John Croall, a Scots immigrant to Whyalla - a steel town in the dusty dry north of South Australia.
My father delivered three generations of babies in Whyalla in the 40 years he lived there as the resident obstetrician, and in his spare time he also planted thousands of trees in red, barren landscape of the town.
In 2013, my father was diagnosed with stage 4 lung cancer and I moved back home to Whyalla from the UK to look after him. The only way I could cope with his dying was to film with him during the last months of his life. Filming was a way of processing the grief. My father had been a huge influence on me and I couldn't bear to lose him.
He was an eccentric man - a humanist and an environmentalist - he trod lightly on the earth and I film him in his last days right up to when he is returned to the earth. All that was left was his trees - I wanted to capture his legacy and inspire others to leave such a legacy.
As I filmed, I started also to find out more about his work as a doctor, the skills he had and the service he gave to the town. At the same time as my father was dying, the town he loved seemed to be dying too. I discovered that Whyalla no longer had a resident obstetrician - only one who would fly-in-fly-out. The women of Whyalla no longer had the care they once had in the labour and maternity ward. The caesarean section rate of my father's days (15%) was now up at 70% - natural birth was not the norm any more. Localism was disappearing... and not just in Obstetrics.
My film is about birth (babies), trees (growth) and death. It is about the move into a more harsh, less caring era, where a model town ends up in decline and babies are born mainly via caesarean, delivered by rotating visiting doctors who come in from around the world on a fortnightly roster. The unemployment is on the rise. The steelworks are in administration.
The film is an elegy for a man, a town and a dream – it is about a way of life that we have lost to progress and it is also about the close, and often very funny, relationship between a father and a daughter.
The film uses the footage I filmed of my father in his last few months along with archive, animation and interviews - the wider political story is accessed through the personal intimate portrait of my father.
The film looks at the changes in rural medical health care and tells story of the loss of localism - women of Whyalla no longer have a resident obstetrician or indeed other resident medical specialists to serve them.
What is the future for medical services for people who live in the rural areas of the country? The film looks at the decline in natural birth rate that comes with the loss of a resident obstetrician.
The film is also an intimate portrait of an environmentally aware individual and offers a view on how one can contribute to the natural environment around them and make an impact in their life time with tree planting.
I am looking to align this film with a foundation that has aims around increasing positive impact on conservation; especially in terms of planting Australian Native Trees. I hope the film will be a catalyst for change and get people planting more trees in their life.
Aims & Objectives
The Tree Doctor is a documentary about health and environmentalism but is also entertaining.
My father was an eccentric Glaswegian in the Australian bush.
He had some extreme, unique views on recycling and water conservation and they are captured in the film.
He also had a strong belief that babies wherever possible should be born in the most natural way without too much intervention. By the time he retired, he knew that his approach made him a "dinosaur" in modern medicine which was seeing the ceasarean section rates rising dramatically.
He is an entertaining character on screen. The film takes the viewer on a journey but it will leave the viewer contemplating how they could change their own lifestyle to have a more positive impact on the environment around them and how can they make a difference personally in terms of biodiversity and conservation.
I plan to launch the film in a number of film festivals around the world.
I would like to also team up with a health foundation - one interested in women's heath in particular obstetrics and gynaecology.
I also hope to team up with an environmental foundation - particularly one with a focus on trees and Australian Natives. The screenings of this film could be events around the country to stimulate discussion around natural child birth, and personal tree planting missions.