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25 OCTOBER 2017
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Arts, Community, Disability, Education, Health & Wellbeing, History, Human Rights, Indigenous, Refugees, Social Justice, Welfare, Youth
<p>“If you don't accept people can change...no one has an incentive to change” ~ Myuran Sukumaran (2015) </p><p></p><p></p><p></p><p>Myuran Sukumaran (17 April 1981 – 29 April 2015) was an Australian who was convicted in Indonesia of drug trafficking as a member of the Bali Nine. In 2005, Sukumaran was arrested in a room at the Melasti Hotel in Kuta with three others. Police found 334 g (11.8 oz) of heroin in a suitcase in the room. According to court testimonies of convicted drug mules, Myuran Sukumaran and Andrew Chan were the co-ringleaders of the heroin-smuggling operation from Indonesia to Australia. After a criminal trial, Sukumaran was sentenced on 14 February 2006 by the Denpasar District Court to execution by firing squad. </p><p>Australian death-row prisoner Myuran Sukumaran made a personal appeal for mercy to Joko Widodo, painting a portrait of the Indonesian president and signing it with the words 'People Can Change'. After lodging an appeal against his sentence, this was initially dismissed by the Bali High Court. A judicial review conducted by the Indonesian Supreme Court on 6 July 2011 affirmed the death sentence. Sukumaran’s plea for clemency was rejected by the President of Indonesia on 30 December 2014, and Sukumaran was expected to face execution, together with Chan. The execution was carried out on 29 April 2015. </p><p>Myuran Sukumaran led an art studio for his fellow prisoners during his time in Kerobokan prison, where he was mentored. Myuran taught English, computer, graphic design and philosophy classes to prisoners. The portrait of Mr Joko Widodo signed 'People Can Change' is his most recent work. He painted the oil on canvas artwork in Kerobokan prison in late January 2015, in his final weeks there before being transferred to Nusakambangan Island. Myu painted multiple self-portraits while on Nusakambangan. His final painting resembles a bleeding Indonesian flag. He was recently awarded an associate degree in fine arts by Curtin University. Myuran Sukumaran had his first major Australian exhibition at the Campbelltown Arts Centre in January 2017, curated by noted Australian artist, Ben Quilty. </p><p>‘Alone from night to night you'll find me </p><p></p><p></p><p></p><p>Too weak to break these chains that bind me </p><p></p><p></p><p></p><p>I need no shackles to remind me </p><p></p><p></p><p></p><p>I'm just a prisoner, don't let me be a prisoner </p><p></p><p></p><p></p><p>From one command I stand and wait now </p><p></p><p></p><p></p><p>From one who's master of my fate now </p><p></p><p></p><p></p><p>I can't escape for it's too late now </p><p></p><p></p><p></p><p>I'm just a prisoner, don't let me be a prisoner.’</p><p></p><p></p><p></p><p></p><p></p><p></p>
The Coming Back Out Ball
Aged, Arts, Community, Disability, Environment, Health & Wellbeing, History, Human Rights, Indigenous, Social Justice, Welfare
<i>THE COMING BACK OUT BALL is a feature length documentary that tells the heart-breaking and heart-warming life stories of inspirational LGBTI elders who, facing aged care, are about to kick up their heels at a star studded, spectacular Ball created by one inspiring young gay man with a passion to celebrate LGBTI pioneers. </i><p></p><p></p><p><i>The film will also explore the lives of older LGBTI people who risked sacking, rejection and even jail to come out when homosexuality was still illegal in the 1970’s and others who sadly were not able to come out at all. Now in their twilight years, some LGBTI elders have to go back into the closet, to ensure decent health-care (often in Church run facilities) and avoid discrimination.</i></p><p></p><p></p><p></p><p></p><p></p><p></p><p><b>Producers Adam Farrington-Williams, Sue Thomson, Roger Monk & </b><b>Tristan Meecham</b></p><p></p><p></p><b>Executive Producers Michael McMahon, Shaun Miller, Tony Nagle</b><p></p><p><b>Directed by Sue Thomson</b></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p><b><b><b><b><b><i>Image: LGBTI Elders Dance Club by All The Queens Men. (C) Photo by Bryony Jackson. </i></b></b></b></b></b></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p>
Red Dust Dreams - the Documentary
Aged, Arts, Community, Education, Environment, Health & Wellbeing, History, Indigenous, Rural, Social Justice, Sport/Adventure, Welfare, Youth
There are several aims for our documentary, ‘Red Dust Dreams – the Documentary’. One of these is to try to help bridge the country-city divide that is still so evident throughout Australia; another is to have a look ‘behind the scenes’ - taking a look at the little-known about domestic side of life on some of our pastoral stations. We also want to showcase some of our spectacular scenery which is unique to our outback. To help preserve and record history both on the stations, between them and in some of the outback towns. Many of our pastoral stations have had to turn to tourism or other forms of business in order to be able to remain where they live. We are trying to feature these businesses and provide these people with extra exposure. As well as some of those in outback towns. We plan for the four parts of our documentary to include both well known tourist attractions throughout the outback as well as those that are not so well known - but should be. Highlighting things out there – trying to show tourists there is a lot that our outback has to offer as well as the lusher areas of our nation. Education is one of the aspects we are trying to involve through the book and documentary (we have permission to film a station class in action – including School of the Air/Distance Education), as well as from the base end (filming the teachers in action as well as a couple of interviews), the purpose being, again, to show how our remote education system actually works. Other aspects we are including are employment, entertainment, transport, distances travelled – for anything, holidays (what holidays?). Also infrastructure, mail, shopping, fuel, power, health (and the Royal Flying Doctor Service), communication, the advent of the internet and social media, the Indigenous aspect and more. We are also trying to coincide our travels with some of the outback’s events – one being the Big Red Bash at Birdsville. We do have permission to film interviews with some of the entertainers (some of Australia’s best vocalists) as well as the founder of the event and the owners of the station on which the event is held. Also the Marree Camel Races. Another essential part of our documentary – and the entire ‘Red Dust Dreams’ project is a ‘warning’ to anyone who plans to travel out there – do their homework. Research. Prepare, prepare, prepare. Explaining how unforgiving the outback can be, but just a bit of preparation and research can help to make it one of the best – and safest - holidays a person can have. We do have a Risk Management Plan in place. The first trip of our documentary has already taken place (self-funded) and we filmed an interview with an amazing character in Newman. This is something we plan to do throughout, with people who want to join in. Film some yarns, a bit of fun. We do plan to donate a percentage of whatever profits we might eventually make to several organisations relating to the outback.